Afa Shen’s practice explores how invisible forces — time, loss, and human impact — can be made perceptible through simple gestures and familiar materials. Working with installation and participatory systems, the artist creates situations where abstract conditions are translated into embodied experiences.
Yesterday’s Air develops this approach through a deceptively simple structure. Sealed aluminum-foil plastic bags, each containing air collected on a specific date, are presented within a vending machine or modular display. Organized in reverse chronology, the work makes time tangible, suggesting that the present moment holds the freshest air we will ever encounter, while everything else recedes into the past.
The installation unfolds through a minimal yet deliberate action. Visitors select a bag, tear it open, and inhale. The brief release of air, the sound of rupture, and the empty bag that remains transform this gesture into a quiet ritual of disappearance, where what is experienced cannot be retained.
Sustainability is embedded both conceptually and materially. The use of petroleum-based, non-degradable plastic reflects the industrial systems that have altered the atmosphere, while the act of collecting and archiving air highlights the fragility of what is often taken for granted. By drawing from natural, industrial, and reconstructed atmospheres, the work forms a layered, evolving archive that traces human impact across time.
Through this multisensory and participatory encounter, Yesterday’s Air translates ecological change into a bodily experience, where progress is measured not only by advancement, but by what is gradually slipping away.
Afa Shen currently lives in Shanghai. She graduated from the China Academy of Art and Aalto University in Finland.
As an emerging artist, her work explores the relationships between space, materiality, and human emotion. Her practice is guided by the sense of being a channel—a frequency through which unspoken energies take form. Through sculpture and installation, she distills materials to their purest state, emphasizing often-overlooked symbolic meanings to convey emotional energy.
Her work invites viewers to reflect on the delicate balance between permanence and impermanence, materiality and spirituality, offering fresh perspectives on our engagement with the world. Her work has been exhibited in Sweden, Finland, China, and other locations.
“Yesterday’s Air brings progress to life not by celebrating advancement, but by making its cost immediate, perceptible, and unavoidable. In a retail-like display, air is packaged, dated, and offered like a convenience product—turning an invisible condition into something visitors can hold. Each person repeats the same simple action: choose, tear, inhale. What remains is an empty plastic bag. By translating gradual ecological decline into an immediate sensory experience, the work turns awareness into felt knowledge.”